![]() I haven't actually put this into practice yet =) so wondering if I missed anything. Route the first lane (Post Mixer) into the second lane, and the second lane outputs to the group.Ĥ) Use the Track Delay at the bottom of the 'sound source' lane to fine tune the delay, manually, or for 3rd party plugs, adjust the 'offset' if it has one.ĥ) When satisfied, render the finished audio, re-import into the set and further nudge/adjust timing if necessary One lane will have the sound source (midi, audio) and the other lane will contain any effects i use. I see there's still no solid response from the Abes, lovely =/Ībout to dive back in and feel i've devised a solid work around (hopefully).Ģ) Set plug in buffer size to: As Audio Bufferģ) Separate each track into two parts (grouped). The Live manual only confirms that there is a problem and offers no solution. Is this so hard? What's the big secret? I don't see why I should have to go trudging through forum after forum to find info like this. If you don't want this result, then do it THIS way" etc. ![]() "When using High Quality mode for Live's devices it's best to approach PDC this way. Would be nice to have additional other tips like: And by provided I mean it should be sent out as an addendum to the manual to all paying customers.Ģ) Adjust your plugin buffer setting to fixed or not fixedĤ) Adjust timing manually as you go by moving the rendered audio manually in the arrange view.Ģ) Adjust your buffer setting to fixed or not fixedĤ) Adjust your timing via delay compensation field per each track or adjust the offset manually in your plugin And if there IS no DEFINITIVE answer, then there should be BEST PRACTICES at least provided by Ableton. This is not an issue of abstract technique ala "set your listening position up approximately 38% from your front or back wall in a home studio". While I can't deny there is a wealth of other knowledge to attain to achieve quality commercial releases, dealing a rusty gear deliberately built into your DAW with no DEFINITIVE way to rectify the issue is VERY VERY FRUSTRATING. It would seem to me that the big names of the dance music scene are either on another DAW that doesn't suffer from the same issues OR they have mastered this issue in Ableton. In that vain I would really love a DEFINITIVE explanation from Ableton on the best way to approach this to achieve optimum 'tightness'. Not to exclude any genres, but i really do think alot of us here are talking about modern dance music right? or at least modern music where tight automation is desired ala synced LFO's, groove heavy stuff etc.
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